The production is technically beautiful. [...] Set designer Kirk Markley's zigzagging stretches of gauzy scrim thread back and forth across the stage like a tiny version of Christo's early-'70s sculpture Running Fence. A creamy, translucent slip of a curtain ends scenes with white silence. Markley's lighting is striking as well: Circles of playing area are chiseled out in golden light, focusing our attention on the smallest detail, such as the way an asthmatic with lush red lips can suck air from an inhaler in the most delicious way.
           -Lee Williams, Houston Press, February 20, 2003.